The object of this
post is to summarize the opinion of Q. D. Leavis on the anti-romantic approach
to the characters of “Northanger Abbey” as discussed in “A Critical Theory of
Jane Austen’s Writings”, Scrutiny 10.1: 61-66; 68-71.
Jane Austen describes
Catherine, the protagonist, as an anti-heroine. Instead of holding the
traditional values of femineity, such as quickness in forming romantical
attachments, smartness, and attractiveness, she is depicted as a tomboy who
likes to play with traditionally male objects, and as a person who lacks sentimentality,
acts with a simple-minded behaviour, and conveys a “plain” appearance.
Henry Tilney, the
character whom Catherine unsolicited and unexpectedly falls in love with, instead
of being loving, snubs and tries to educate her.
Mrs. Allen is portrayed
as an anti-chaperone. She prioritizes her own interests, being more focused on patterns of muslin and clothes than on guiding, instructing, and advising Catherine.
In Northanger
Abbey, Jane Austen takes an anti-romantic approach to her characters. Catherine
is depicted as an anti-heroine, Henry Tilney plays a paternalistic role, and
Mrs. Allen acts as an unconventional chaperone.