The character of Henry Tilney is depicted as a charming gentleman. He is perceived in the scene when Catherine meets him in the pump room at
Bath: “The master of the ceremonies introduced to her a very gentlemanlike
young man as a partner; his name was Tilney.” After describing his physical
appearance, the narrator informs us about him that “if not quite handsome, was
very near it.” He shows “archness and pleasantry” as features that foreshadow
darker aspects of this character later in the novel. He talks in a lively and
fluent way, which makes his chatting “hardly understood by her.”
This charm suddenly disappears after his proposal, when he becomes awkward
and self-conscious. In their visit to Mrs Allen, he “talked at random”. Later
on, providing account for his father's behaviour, he “was almost as pitiable as
in the first avowal of himself”, and he showed a physical reaction, “he blushed”.
Henry is portrayed as charming but he is not the most charming because
he has to yield this title to the hidden character that appears in the end as a
deus in machina to assume the role of Eleanor’s fiancé. This last character is
described as “the most charming young man in the world”.
The scholar Joseph Litvack argues for the “feminization” of Henry Tilney,
as shown in the fact that he is only a student in Oxford, which implies his powerlessness,
a position that is more proper of women in the literature of the 19th
century. His archness and sophisticated
wit also add to this feminization. This anticipates more “manly” protagonists
of Jane’s Austen novels, including the monosyllabic Darcy in “Pride of Perjudice”.
Henry Tilney is portrayed as charming by his archness, sophisticated wit,
physical appearance, and lively talk. This feature disappears after the
engagement. It also is a term of contrast, interior with Eleanor’s fiancé, and exterior
with other Jane Austen protagonists.